In November, I opened and closed Big Love at Caltech. We had a fabulous cast of undergraduates who really explored what this play meant, now.
Then I began making site visits to the various ensembles featured in the NET Micro-Fest: Critical Mass Performance Group, The Ghost Road Company, Watts Village Theater Company, and The Post Natyam Collective. All of these groups were amazing and insightful and wonderful, and they revived my belief that theatre just might be able to change the world.
In December, I indulged in the Micro-Fest. Then I recovered.
And in the middle of all of that, I applied (and keep applying) for academic jobs.
More specific writing on these events to follow.
